Oil Paintings

Blog about oil paintings by Robert Dawson

Painting ideas

These are ideas to consider painting, in order of preference at the time of last edit.

  1. Human experience
    1. Satirical objectivist series via prideful portraits.
    2. Trash as beautiful objects.
  2. Rural/advanced tech
    1. Portrait of cyborg farmer.
    2. Farmer made of 0's & 1's.
    3. Farm made of LEGOs.
  3. Information overload
    1. Paint by conditional statement (paint by number w/ 1 || 3).
    2. Neurons with calming pictures in the middle (e.g., ocean).
  4. Transformation series
    1. Animal/computer.
    2. Human/computer.
    3. Human/animal.
  5. Real-life superheroes and supervillains
    1. Ayn Rand as Superwoman (SuperRand).
    2. Hitler as monster. (related)

Drawing for upcoming painting

Same drawing, two photos. The painting will be based on drawings. My goal is to learn to analyze and remember what I see, like artists had to do before photography.

Beggarbot, complete

For now, at least.

The simplest solution for turning her into a cyborg or robot was to make one eye shine, as if beaming with light from within. I thought of this today, after I had already cleaned my brushes, when I remembered that Picasso had done the same thing to symbolize the gift of prophesy. I like that the indication is subtle. And I decided to leave the bowl in her hand as a bowl and not some electronic device or something else that I robot might hold because, in the future, robots might consume the same food we do. So this makes the question of feeding one who is starving all the more interesting and provocative.

Beggarbot, the beginning

This is (hopefully) the first in a series, each piece the result of randomly combining social issues, in this case poverty and information overload. Yes, she will become a robot. Or android.

Lucian Freud's color

One of my favorite figurative artists is Lucian Freud. He achieves striking volume with his use of color. Today, while watching a documentary about him, called Lucian Freud: Portraits, I noted several interesting things about his use of color that contribute to that effect.

First, he uses lots of yellow ocher and other yellows for the base of skin tones. He also uses a thick white for highlights (the exact color is mentioned in an article I found online, but I forget where). I noticed pale and light pinks for areas that project into the foreground, such as the outside edge of a thigh, dull and muted greens for recessed and shadowy areas, and, finally, maroon and other deep reds for areas of focus, like the nose.

Imcreativity - in search of impractical creativity

Tonight, I turned my attention to the meaning of creativity. Wikipedia defines creativity as that which is both novel and useful. Using this definition, any new product or technology is creative.

But is art useful? My first thought is no. However, the reinforcement of beauty is a very useful pursuit in that it is often forgotten amid the plethora of pain and suffering we encounter. But is appreciation on par with practical use, as in the case of a new product or technology? If you're trying to save a life, then appreciation is not only useless but irrational. However, if you're trying to cheer someone up, then don't count on a shiny new toy to bring a lasting smile. Although, a novel antidepressant might help.

I'll leave it up to others to compare the importance of appreciation and action in our lives. What I want to do is to plant the seed of a new kind of creativity that is more suited to art. This kind of creativity is novel, but it is not useful. It is impractical. To distinguish this from creativity, I call this imcreativity. If something is imcreative, then it is new and worthy of appreciation but not useful and cannot be applied to achieve a practical result.

An example of an imcreative work of art is Dalí's The Persistence of Memory. This famous painting brings to mind any number of strange thoughts, like the relativity of time, a summer day so hot that even clocks melt, a paranoid man who was deathly afraid of grasshoppers, and so on. But is this painting useful in any real sense, except perhaps for understanding more about Dalí or his ingenious and outrageous self-promotion techniques? I don't see how.

Of course everything can be useful for something, even if only to recognize that it isn't useful and that a useful use of time would be not to waste any more time thinking about it. But that useless scenario aside, some things are clearly not useful while also being worthy of appreciation. Art tends to fall into this category in that, like philosophy, it does not seek to provide useful answers but to provoke interesting questions. A beautiful seascape painting is certainly worthy of appreciation, but it will not buy you a yacht. It will, however, help you appreciate the beauty of nature, just as an abstract painting might, if you open your mind wide enough, help you appreciate color and form in nature.

Back to my notion of imcreativity, I find it, as a concept, useful because it frees me to explore dissimilar concepts in a visual space without worrying that it makes a point (i.e., that it serves as an illustration). Art blurs boundaries and being imcreative helps it achieve that.

Relevant art today

It seems to me that art today should either be pretty or make a point, with the former being the wiser of choices. Art no longer has to make an aristocrat look stately or serve the Church. Today, it's free to do whatever it wants, including announce that it's not art at all or, conversely, that everything is.

But to make art relevant or meaningful to modern audiences, it needs to mean something to them. And in this age, people, at least those with Internet access, seem to be thinking about such issues as information overload, trivial virtual social connections, the increasing loss of privacy online, and rampant identify theft.

Then again, art can address any social issue and remain relevant. And it should. It's visual communication. It should say everything that's interesting visually, which is just about everything.

And I say that making pretty art is wiser because, at the end of the day, after either our battles have been won or we are tired of fighting them, what matters most are that we still want to fight, to live, and to appreciate the value of living. And beauty adds value.

Portrait of Elliott (detail)

I'm thinking that I want to focus on shadows and exaggerate values by delineation.
Below is the palette so far. I've limited my color choices hoping that a rich set of values will emerge.